Monday, January 14, 2013

Fantasy and Originality, or Tolkien Stole My Idea

"How to create an original, unique, deep, fantasy novel?" reads the Yahoo Answers question.



This question is marked RESOLVED, which delights me, but I am still going to say a few words here. (The answer the Yahoo readers selected is pretty good, though. Wisdom of the crowd!)

Fantasy writers sweat originality quite a bit, perhaps even more than other writers—maybe because it seems like fantasy should be originality’s own playground. The constraints are off! Do whatever you like!

Like that’s not paralyzing.

But the reality is that fantasy has its own conventions, many of them based in centuries of folklore and fairy tale, and your story of a boy and his elf has probably been told in one form or another a thousand times before.

So like the plaintive Yahoo Answers questioner, you might begin to feel that originality in fantasy is actually quite impossible. And sure: yours will not be anyone’s first dwarf. But in my opinion, that’s a wrong notion of originality, and I’ve got two big guns to back me up.

"Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."
- T.S. Eliot

Isn’t that distinction brilliant? The difference between imitating and stealing is that when you steal something, you own it. You make it yours. And how do you do that? That brings me to the second quote:
"Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. [Emphasis added] If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. Authenticity is invaluable; originality is non-existent."
- Jim Jarmusch
Your soul, he says. That’s what authenticity means: you. Writing a novel is just a series of decisions, millions of them: every word a decision, every plot turn a decision, every character sigh and blink, a decision. And what are those decision based on? Nothing but your own deepest desires and inexplicable preferences, your own idiosyncratic longings and furies and joys.

At least, as a reader, that’s what I want. I want you. Not your surface politeness or charm, not your bland social gestures, not what you think I want to hear. I want your meat. I want your juice. I want your weirdness, your voice, your truest thing. I want the part of you that everyone who has ever fallen in love with you has loved. I want to fall in love with you, too.

And because you are, actually, a special snowflake, none other like you, then if you can give me your juice (not easy to do, and that’s a whole other subject)—if you can follow your own self in deep, and make every decision from your true heart—then everything you write will be authentic and original, no matter the number of dwarves and elves and heroes who one morning set out alone into the darkest woods.

Anyway, that’s what I think, or what I think today. I would love to hear what you think: about originality in fantasy writing, about artistic theft—and maybe also what books strike you as especially original, and why. Please say!

Saturday, January 12, 2013

Happy Shameless New Year!!!

2012 was a banner year for the Inkpot - releases, awards, new book sales, critical acclaim.  How can we possibly top that?

Our bi-monthly shameless posts will show you!!!!

Case in point, or first shameless post of 2013 is just chuck full of awesomeness.  Don't believe me?  Take a look!

Starting off with a bang, featuring the cover release for Dawn Metcalf's INDELIBLE, he first in a new series from Harlequin Teen, which will hit shelves July 2013!


There's a new blog on the scene for 2013!  Lisa Amowitz, along with author Michelle McLean, has founded the new Scene 13 blog to showcase and highlight 2013 releases. In total there are 29 members including Inkies Lena Goldfinch, PJ Hoover, Ellen Booraem, Lisa Gail Green and Hilari Bell.

Speaking of Lisa Gail Green, she recently announced her 2013 debut THE BINDING STONE, the first in her Djinn series. Check back here for more updates!

We love collaborative Inkie efforts here in the Inkpot, so we're proud as punch about all the rave reviews for DIVERSE ENERGIES, a multicultural YA dystopian anthology featuring works by Cindy Pon and Ellen Oh.  Here are the latest reviews:

from VOYA:
Teen angst in the future makes for a very popular genre and this well-written collection should prove popular if promoted to the The Hunger Games or Divergent series crowd.

from Publisher's Weekly:
While there's not a single misfire in this anthology, particular works stand out. Ellen Oh's "The Last Day" takes place in a world torn apart by a decades-long war...and Cindy Pon's "Blue Skies" is almost painful in its longing for escape. Not only do these stories feature racially diverse casts, set all over the world or in space, some have gay and lesbian protagonists, giving readers plenty with which to identify.
Amazing!

More accolades for Anne Nesbet's THE CABINET OF EARTHS which appears on the Chicago Public Library's "Best of the Best" list for 2012 and is a Finalist for the 2012 Cybils award for Fantasy & Science Fiction (Middle Grade), along with Jennifer Nielsen's wonderful book, THE
FALSE PRINCE.

And to top it all off, Shannon Hale just put THE CABINET OF EARTHS on her list of "'Girl'
books that boys love"!

Which dovetails into our big finale here with perhaps the most exciting news of all. Paramount Pictures has announced it has contracted with Bryan Cogman, story editor for HBO's GAME OF THRONES series, to adapt the screenplay for Jennifer Nielsen's THE FALSE PRINCE.  HBO?  GAME OF THRONES?  OH MY GOD!!!!!!!!!!!!!!!!

See?  2013 is going to give 2012 a run for it's money...  :)

Wednesday, January 9, 2013

Deadwood by Kell Andrews


CONGRATS TO TINA for winning a copy of DEADWOOD!
 
There’s something evil in Deadwood Park.

Martin Cruz hates his rotten new town. Then he gets a message from a tree telling him it’s cursed — and so is he. It’s not just any tree. It’s the Spirit Tree, the ancient beech the high school football team carves to commemorate the home opener. And every year they lose.

But the curse is no game, and it gets worse. Businesses fail. Trees topple like dominos. Sinkholes open up in the streets, swallowing cars and buildings. Even people begin to fade, drained of life.

Martin teams up with know-it-all soccer star Hannah Vaughan. Together they must heal the tree, or be stuck in Deadwood Park at the mercy of the psycho who cursed it.


cindy: It's my pleasure to have Kell Andrews join us at the Enchanted Inkpot today! Your middle grade debut DEADWOOD is unlike any other fantasy I've read before, and I enjoyed it very much. I liked the idea of old magic instilled in nature and the trees. What inspired the root of your novel? Was it based on any myth or folklore at all, or perhaps even a tree in real life? (I just noticed my "root" pun. Wasn't intended, ha!)

kell: People all over the world have believed that plants have spirits. I wondered why, and that's why I created a tree mythology from a science fiction perspective. My reference manual was the 1973 alternative science bestseller, The Secret Life of Plants by Peter Tompkins and Christopher Bird, which explores the idea of plant sentience. This was the book popularized the 1970s idea that you should talk to your plants to keep them healthy. Most of the evidence in the book is actually pseudoscience, but the David Attenborough 1995 BBC/Turner Broadcasting mini The Private Life of Plants is more scientifically rigorous and covers related territory about plant survival mechanisms. I drew on the companion book too. 

Then, from that starting point of plant ecology and botany, I tied in some of the culturally ubiquitous myths about tree beings of all kinds.

cindy: I remember Prince Charles saying he talked to his plants. And a television show that displayed plants growing toward a speaker that played classical music and away from one that played rock (or something noisy and "dissonant"). ha! A fascinating area of study, indeed. I really appreciated the relationships you created in your novel--from the sibling friendships between Hannah and her older brothers, to the uncertain and awkward bond between Hannah and Martin. Even that between Hannah and Martin and the Spirit Tree. Were these interplays something you consciously wanted to focus on (family and friendship) or did they arise on their own in your writing?

kell: It was important to me to put both Hannah and Martin in strong, loving families. When I first planned the novel, Hannah had five older brothers, but even I got confused, so I narrowed it down to two. And Martin might living with his cold, demanding aunt, but only because his mother has been deployed to Afghanistan. She still shows up as an influential character in the novel, even if just by Skype and instant message.

And of course the relationship between Hannah and Martin is central -- neither of them is the person the other expected, but each was the friend that the other needed at that time. It just takes them a while to figure it out -- there are so many social pressures at that age, and nobody is really sure of themselves, even when they look confident to others.

cindy: Whoa on the five older brothers! I think the two she had stood out well individually. And I loved your emphasis on family. That came across. I also noted and appreciated your inclusiveness of diverse characters in the novel--was this a conscious choice or something that came naturally?

kell: The town where DEADWOOD takes place is an important part of the story, and it's a diverse place, like communities I based it on and where I've always lived. Hannah is a white Anglo and Martin is Puerto Rican. I'm white, so I was nervous about doing Martin's character justice. I chickened out originally and made his mother and grandmother, who raised him together, white, while only his father was Puerto Rican. But although Martin's ethnic background isn't central to the progression of the plot, I realized it IS central to Martin himself. He asserted himself and his identity, so I changed his heritage to fit. I found that he held that cultural identity very close, reflective of his feelings for his mother and grandmother, and I hope it works.

cindy: I truly do believe in staying true to your characters and their stories. I'm glad Martin spoke up. =) Could you share with us a little about your process in writing DEADWOOD as well as your journey to publication?

kell: I wrote DEADWOOD while my former agent was subbing an earlier middle-grade novel. That one didn't sell, and I ended up on my own again. I queried agents with DEADWOOD, but it didn't work out. Still, I had faith in the story and it has some timely elements, so I didn't want to shelve it. I found Pugalicious Press, which has been a good fit. And now I have a new agent for my subsequent work.

cindy: It is a fabulous debut--well written, entertaining, thought-provoking and original! Congrats to you! And last but never least, what is your favorite pastry?

kell: Do maple walnut scones count? Because yum.

cindy: Oh scones count for sure!! Great choice! And thanks so much for stopping by the Enchanted Inkpot! To learn more about kell, visit her tumblr here!

Deadwood giveaway!

I will be giving away my copy of Deadwood to one lucky winner! Simply comment in this post to enter. +1 entry if you are a follower of our blog. +1 if you tweet or fb status, etc, with a link to this post and mention of Deadwood giveaway. I will pick a winner on Wednesday, 1/16 and post winner name at the top of this entry. Good luck! (Open to US mailing addresses.)

Cindy Pon is the author of Silver Phoenix (Greenwillow, 2009), which was named one of the Top Ten Fantasy and Science Fiction Books for Youth by the American Library Association’s Booklist, and one of 2009′s best Fantasy, Science Fiction and Horror by VOYA. The sequel to Silver Phoenix, titled Fury of the Phoenix, was released in April 2011. Her first published short story is featured in Diverse Energies, a multicultural YA dystopian anthology from Tu Books (October 2012). Cindy is also a Chinese brush painting student of over a decade. Visit her website at www.cindypon.com.

Monday, January 7, 2013

Happy New Book Year!


Happy New Year! This is one of my favorite times a year; fat with promise, with hopes and dreams and goals...and fat with BOOKS!

SO MANY good books coming out in the next few months! I've asked the Inkies to help me get my TBR list all nice and corpulent and oozing with stories I can't wait to read. So here goes (I'll start):

In case you missed it, the first book on my list was featured last week on the Inkpot: PROPHECY, by our own super-awesome Ellen Oh. Go read the interview, and then go buy the book!

It's a good thing my signed copy of PROPHECY is winging its way to me right now, because all the other books on my list are SO FAR AWAY. *cries* I fell in love with TYGER TYGER a hundred years ago and have been waiting impatiently for the completion of the series ever since. Only five months to go for the release of WHEN THE STARS THREW DOWN THEIR SPEARS!

Another one that's even FURTHER away *shakes fist* is the second book in Sarah Rees Brennan's unassailable gothic trilogy, UNTOLD (UNSPOKENthe first book, is made of so much awesome it hurts my brain...it hurts it and then my brain is like THANK YOU SO MUCH I LOVE YOU MORE PLEASE)(and, thanks, Masters of the Book-Release Universe, that's the only semi-coherent link I can find because it doesn't come out until SEPTEMBER)

GRR. Let's move on to what everyone else is looking forward to. I need to be cheered up.

Lisa Amowitz:

Well, mine for starters!

BREAKING GLASS comes out in July 2013 from Spencer Hill Press and I may have another one to sneak in, but that's still up in the air..

But I am also seriously looking forward to the next installment in Laini Taylor's DAUGHTER OF SMOKE AND BONE trilogy, PRODIGY from Marie Liu (that's not out yet, is it?) THE GATHERING DARK, by my good friend Christine Johnson, and the next installment of Maggie Stiefvater's Raven Boy series. And anything that John Green puts out--as they say--I will read his grocery list. :)

Just started Leigh Bardugo's Grisha Trilogy (SHADOW AND BONE) and I LOVE IT--also loving Will's GOBLIN SECRETS--too much to read!!! Not enough time!!!


TRUTH. Looking forward to more Grishas and Ravens, myself.

More delicious books under the jump!

Wednesday, January 2, 2013

Ellen Oh talks about PROPHECY!


HAPPY NEW YEAR!!!  The Inkpot is thrilled, delighted, and jumping up and down today, because one of the books we have been looking forward to for years is finally out in the world!  PROPHECY, by our own Ellen Oh (whom we know and love as "Ello") has a story to tell that grabs you and does not let go:  "The greatest warrior in all of the Seven Kingdoms . . . is a girl with yellow eyes.  Kira's the only female in the king's army, and she's also the prince's bodyguard. She's a demon slayer and an outcast, hated by nearly everyone in her home city of Hansong. And, she's their only hope. . . ."
Anne, on behalf of the Inkpot:  I enjoyed PROPHECY so much!  I was going to say I gobbled it up in one gulp, but maybe it's more accurate to say it swallowed me.  There's not a slow moment in the whole book, and Kira the girl warrior is a such a sympathetic character, as well as being so very strong and mighty.   And there's a lovely map!  Perhaps I'll start my questions by asking about the map.
Ello: Thank you! The map is by my dear friend, Virginia Allyn, who is the most talented illustrator in the world! Ok so I may be a little biased in my statement but I would show my map as Exhibit 1 and our very own Inkpot header as Exhibit 2. Plus you can go here to see just how incredibly talented she is!

Anne:  Of course I had to pull out a map of modern Korea and compare it to your "Seven Kingdoms"!  (I was thrilled to find a picture of the "Nine Dragons
Waterfall" online--so I guess it really truly exists, though I gather it's hard to get to, being over the border of North Korea.)  Are those "seven kingdoms" historical fact?  Or part of Korean mythology?  Or made up by you?  And have you ever been to any of these dramatic and beautiful places you describe?

Ello: Yes, the Nine Dragons Waterfall are in the Diamond Mountains of what is now North Korea. At the top of the waterfall are a series of interlocking jade pools. When North Korea opened its borders to allow visitors to these famous mountains, South Koreans went in droves, determined to see what they believe is the most divinely beautiful place on earth before they die.  Take a look:The Nine Dragons Waterfall!! http://english.visitkorea.or.kr/enu/SI/SI_EN_3_4_12_12_2.jsp

I’ve never been there. In fact, I’ve not been back to Korea since I was a baby. I would love to go and see all these places in person and not just by video and photographs.

I decided to base Prophecy loosely on the time period between 300 and 360 C.E. in ancient Korea, when there were many walled city-states and warring kingdoms. Some of these city-states became famous kingdoms of ancient Korea. They were Koguryo, Paekche and Shilla - known as the Three Kingdoms.

So for the Seven Kingdoms of Prophecy, this is what I did:

Hansong Kingdom - based on the walled capital city of Paekche called Hansong. It is the location of modern day Seoul. But the sewer tunnels are completely fabricated!

Guru - based on Koguryo, the largest of the Three Kingdoms.

Kudara - based on Paekche, one of the Three Kingdoms.

Jinhan - based on Shilla, one of the Three Kingdoms.

Kaya - sometimes referred to as the fourth kingdom, Kaya is based on the kingdom of the same name.

Oakcho and Tongey are both walled city-states of the same name.

Anne:  I hope you do get to travel to Korea and see these places in person!  Inkpot Expedition, maybe?  Let me ask you something about your characters:  Kira is isolated by looking and being different from the people around her (how many of us have a nose for demons?), but I loved the way she was also surrounded by good friends, not to mention helpful brothers.  It's nice to see her looking out for young Taejo, whose own situation as political pawn and princeling is not enviable.  I can imagine a middle-grade version of this story from Taejo's point of view!  Were you ever tempted to try that? And did the story or your heroine come to you first?

Ello:  Yes! In fact, the first version of Prophecy was from Taejo’s POV. I wrote it from the viewpoint of a young prince who is said to be the hero of legend but then he is stunned to find out that the true hero is not him but his older girl cousin, Kira. So I wrote it first as a middle grade novel, which is fitting in that it was always my intent to write a book for my daughters. It became young adult when I changed the POV to Kira and when the book itself became darker and more violent. But still, not what I would call an older YA.

Anne:  Your fight sequences are wonderfully precise.  Do you have any martial arts experience yourself?  Your characters really seem to know what they are doing!

Ello: I had only a little bit of tae kwon do training myself. It was too expensive to train with a master. But I had plenty of fighting experience. I fought a lot growing up in NYC. I was always in trouble. I have always had a very smart mouth; the only difference now is that I’m better at keeping it shut. But when I was young, I was not known for discretion. And the one thing that would set me off was and still is, a racial slur of any kind. It didn’t matter how much bigger the other kid was or how many of them there were, I heard the slur and my mouth would go off. They were rip-roaring ugly fights. Nothing pretty or fancy or well choreographed. Just grab what you can and punch, bite and kick the hell out of whoever comes near you. Fast and dirty. That’s how I write my fight sequences. Someone criticized my fight scenes for being boring and over too fast and I just had to roll my eyes. That person clearly has never been in a real fight (When I say “real fight” I don’t mean a hair pulling cat fight or some drunken brawl.) I’ve had knives pulled on me twice (ran like a crazy person both times), I’ve had bones broken, and cigarettes burned into my skin. Real fights don’t last that long. That’s the truth of it. Someone is either running the hell away or getting their ass beaten. I’ve experienced both.

Anne:  Ello!!!  There's so very definitely a whole book right there, in the "rip-roaring ugly fights" of your childhood!  Maybe when your children are a little older?   . . . . Another aspect of your story that rings true is the political complexity of it.  I liked, for instance, the ambiguous and powerful uncle, who manages to be helpful and selfish at the same time.

Ello: I’m so glad you got that! That was what I wanted to come out of him because that felt right about royalty during ancient and dangerous times. There is no such thing as the perfect benevolent monarch. Both of Kira’s uncles are powerful kings who are flawed in very different ways. King Yuri of Hansong is small-minded and biased and insular in his thinking while King Eojin of Guru is power-hungry and ambitious.

Anne: Did you think up your title, or was that your publisher's choice?  Is PROPHECY also the name of the series, or just this first book?  What is the second book's title and when does it appear?  By the way, I thought you did a perfect job of ending at a satisfying point, while still leaving enough strings dangling to make us hungry for Book Two:  good job!  That's hard to do!

Ello: Well, I originally queried it as The Seven Kingdoms. Graceling hadn’t been published yet and we were in between the Song of Ice and Fire books 4 and 5. So it was The Seven Kingdoms when it sold. And then my editor asked for some new names so my agent and I brainstormed and came up with Prophecy, Warrior, and King, the Dragon King Chronicles. But then we dropped the Dragon King Chronicles and it became the Prophecy series.

Anne: You have encouraged so many would-be writers over the years!  Was there any particular piece of advice or comfort that kept you going, when times got rough or the waiting seemed particularly endless?

Ello: My personal mantra is more true now than ever before “Don’t let the Naysayers get you down!” There’s always someone trying to put you down. I don’t know what it is about human nature that likes to hate on people. It tends to trouble me because I truly love to celebrate people’s successes. But there is always going to be someone out there who feels like it is their job to put you in your place. Like you don’t have the right to try for a dream or succeed. Sometimes that person is yourself. You have to find some way to turn that voice off and just not listen to it.

Anne:  That's so true.  Every writer should have the entire previous paragraph taped to his or her wall! 
Kira has a tiger spirit that inspires her during hard moments.  If you had an animal spirit of your own, what do you think it would be?

Ello: Oh, I definitely relate to the tiger spirit. You see when my Mom was pregnant with me, she had a dream about a tiger. She was sitting in a meadow, perched on a rock when she noticed yellow eyes gleaming from the bamboo patch. The next moment a great big tiger leapt out of the bamboo and raced toward her. She fell off the rock and flung her arms over her head, thinking she would be eaten, but nothing happened. When she sat up, she found the tiger in front of her, just staring at her. It lifted up a paw and placed it on her knee and in its claws was a red peony. She went to a fortuneteller who told her that the tiger was the spirit of her baby, who would be a strong spirited child. That was me. Well, at least that’s what my mom always said.

Anne:  While I'm waiting IMPATIENTLY for book two (and hoping there will be more Jaewon in it), are there other good books about or set in Korea or fictional Korea-like places that you might recommend?  Your locations were so vivid that I really did not want to close the book and "come home."

Ello: Oh boy, I was immersed in a lot of history books and art books so it is hard for me to answer this question. To be honest, other than Linda Sue Park’s award winning book The Single Shard, I can’t think of any books like mine set in Korea. It is really a strong reason as to why I wrote my book. But my friend, Christy Farley’s fantastic book Gilded, which I was so lucky to read early on and is coming out this year, will also be set in both contemporary and mythical Korea. So maybe Christy and I can start a new trend!

Anne:  And now . . . the lightning round:

1. What are you working on just at the moment?

Ello: Revising book 2 and drafting book 3.

2. What books are you reading right now?

Ello: I beta for Marie Lu so I got to read the last of the Legend series and I want the world to know how AWESOME it is! I can give absolutely nothing away except that it is sheer and utter BRILLIANCE! And I have a bunch of books on my TBR pile that I’m just dying to get to like Throne of Glass, Days of Blood and Starlight, Girl of Nightmares, and so many more! I just need more time during my day just for reading!!

3. What other book out there do you wish you had written?

Ello: There are so many books that I jealously wish I had written but the one that makes me insanely jealous would have to be Robin LaFevers's Grave Mercy. I just adore that book so much!

Anne: (Oh, YES!  Grave Mercy just sweeps a person away!)

Thank you so much, Ello, and CONGRATULATIONS on this wonderful, amazing, fun
book you've written!

Ello: Thank you so much! I’m just overjoyed and thrilled every time I hear that someone enjoyed Prophecy. It feels like a dream come true.