I am thrilled to be interviewing Erin Bow, whose second
book, SORROW'S KNOT (isn't that an awesome title?), was released last week!
Your first book, Plain Kate, was Russian-based fantasy.
Your second, Sorrow's Knot, seems (correct me if I'm wrong!) inspired by at
least one Native American culture. How do you decide where to go for your
inspiration? What comes first, the research or the story?
There's a story behind the setting of Sorrow's Knot.
I met the heroine, Otter, long before I knew much about where she lived.
I knew she lived in a whispery, haunted forest, and that seemed good enough.
I put that forest in the middle of what Diana Wynn Jones called
"Fantasyland." (see: https://www.goodreads.com/work/quotes/1044747-the-tough-guide-to-fantasyland-the-essential-guide-to-fantasy-travel)
For a long while Otter and her friends wandered around Fantasyland Forest,
picking up horses and swords, but the story wouldn't quite come together.
Then I visited the Black Hills in South Dakota.
The Hills -- actually they are small mountains -- are very strange. The rise up out of the prairie, stoney and literally black, because of the black pine trees that cover them. Inside the forest there, the light is different, and the air is different. It's a strange, numinous place, and holy to nearly everyone who's lived in sight of it. Knowing it was holy it was with some trepidation that I set the story there. But it felt, that day, as if I'd walked into Otter's world.
So it was at that point that I stopped and did research.
A LOT of research. Architecture, gardening, ethnobotany,
storytelling, drumming, hunting, foraging, stone knapping, rope making -- there
was a lot. I wasn't trying to make Otter and her people an historically
accurate depiction of (say) the Hidatsa (from whom I borrowed the houses and
gardens) because when you start with a world where the dead prey on the living
and give women (and on
ly women) the power to bind the dead in knots, you don't
end up with an historically accurate anything. But I did try hard not to
default to the European, the urban, or the modern. I tried hard, in other
words, to get inside her world and let the story take root there and grow.
That DOES
sound like a lot of research - I'm slightly overwhelmed just reading your list!
Do you enjoy research, or do you see it as something you have to do to get into
the story (or -- like me – a little of both?)
I do like research -- part of what I really like about
writing books is that you get to dig deep into stuff. I'm the kind of
person who goes into a bookstore and sees a gorgeously illustrated 800 page
book on things to do with ropes on sailing ships and am just THRILLED that
someone knows that much about knots and lashings! And this, despite
getting seasick in bathtubs. So writing is, in one way, just a channel
for me being really geeky.
On the other hand, every time I write an historical, I swear
I will never write another historical. Ugh, it's ENDLESS.
Did you ever have to/get to go back to the Black Hills to fill in details/descriptions for your story? In that one paragraph, by the way, you managed to add them to my bucket list.)
I have been
back, once. My extended family farms in South Dakota,
so the Black Hills are not too far out of the
way. But most of what I've done has been from photos and books, plus some
locals and experts who answered questions and gave me assorted lessons.
The acknowledgements list in this book is long.
Also -- you
need to go to the hills! I didn't even tell you about the buffalo herds!
Or the caves!
You say
you "stopped" to get into the research. How do you know when you've
done enough research and you're ready to get back into the story?
It's a
paradox, isn't it -- it's hard to know what to research before you write, but
hard to know what to write until you do the research. It's tricky, too,
because you want to write too early (because writing is awesome and research is
hard) and also want to use research as means of procrastination (because
research is awesome and writing is hard). For me it's always a dynamic
balance, nothing quite as clean as stop and start. There are periods,
especially early on, where I do a lot of research and write while knowing that
most of the writing may need to go out the window. There are periods
later when I mostly write and leave the research questions on little notecards
so that I don't break my own flow. And at any point that balance may
shift, if only briefly.
The real trick for me is to
do enough research that the world becomes natural and real, and the story flows
from inside the world. For instance, in my current work-in-progress my
characters are on an epic cross-continent horseback journey. This is
a problem for me because when I started the story I'd never been on a horse.
(I have since taken a couple of lessons, and think I really nailed the
bit where my protagonist rides for the first time, is awkward and terrified,
and later very sore.) I knew I'd done enough horse-ish research when the
horses began to suggest stories. I stopped moving them around the board
and they started to move the novel on their own. Otter's world is more
complicated than that, because the research was so multifaceted, but at a
certain point there was the same kind of shift.
Perhaps not entirely relevant, but hey, it's my interview. So: since you
mentioned The Tough Guide to Fantasyland - what's your favorite Diana Wynne
Jones book?
They say
you never forget your first, and mine was Charmed Life. Still my
favourite, though I usually end up reading the entire Chrestomanci series every
time I pick it up. Also Fire and Hemlock. And Howl's
Moving Castle. Ummm. I could start to get carried away here
....
So could I, so I will resist the temptation to... oh, okay. The Chrestomanci series first, Howl's Moving Castle second, and then... right, RESISTING NOW.
To find out more about Erin and her fabulous book, you can check her out at http://www.erinbow.com/.
Had to smile in recognition at this:
ReplyDelete"It's tricky, too, because you want to write too early (because writing is awesome and research is hard) and also want to use research as means of procrastination (because research is awesome and writing is hard)."
I can so relate to this!
Excellent interview! Thanks, Erin & Leah. I want to visit the Black Hills now too. :)
Oooh, the Black Hills sound like a must visit place. I'll add them to my bucket list. Great interview, ladies!
ReplyDeleteCaptivating from the start, Erin Bow creates an incredible fantasy world. Her characters are believable, fragile and real. What a great book!
ReplyDeleteZia
I found the best Ipe Decking website