Showing posts with label Elizabeth C. Bunce. Show all posts
Showing posts with label Elizabeth C. Bunce. Show all posts

Monday, December 2, 2013

The Gift of Fantasy


 The fantasy that gave me the greatest gift was Lloyd Alexander’s Prydain series.  I was in first grade, and every few days I’d check out a stack of picture books limited only by the need to get my hands underneath it and my chin on top.  One day the school librarian handed me The Book of Three.

“I think you’d like this,” she said.

“I don’t know,” I said.  (Just like every kid in the universe confronting their first novel.)  “It’s awfully thick.”

“Give it a try.”  And she smiled.

So I opened that thick intimidating book and started to read, and fell into a real, long, dense story for the first time in my life.  I think I lived in Prydain more than I did in the real world for the next few years.  If Mrs. Burris had handed me some other book, a mystery for instance, I might not be a fantasy writer today.  Or even a writer today.  So that’s the fantasy that’s given me the greatest gift.  (And thanks to Mrs. Burris, too!)

                                                                        --Hilari Bell


From Elizabeth Bunce:

For me, it came about ten years ago when I read Sharon Shinn's ARCHANGEL for the first time. I had spent so many years reading To Learn the Craft, to soak up knowledge and study storytelling techniques, that reading had become more work for me than pleasure (although I didn't realize it at the time). I had lost sight of one of the most important things: Reading should be fun. But Archangel swept me away like no book had in years. I picked it up, dove in, and before I knew it, five chapters were past, and I REMEMBERED. Shinn brought back that sense of reading for pure delight that I had lost somewhere along the line. I've said that this is one of the most important lessons I've ever learned as a writer... but it's also the greatest gift: the reconnection to the experience of reading a great book for the pure joy of it. Thank you, ARCHANGEL!

From Erin Cashman:

For me, it was Lord of the Rings. I was having a hard time my freshman year in high school - 3 middle schools all joined together, and I found that my good friends were hanging out with another group of girls -- and one of the girls decided I was not welcome. One night I started reading Lord of the Rings, and instead of worrying or crying (as I had been doing every night) I completely forgot about my troubles and was swept up in the story. I read it straight through -- claiming a stomach ache and missing the next two days of school. For some reason, when I returned to school I didn't care that much anymore (maybe it was simply that a mean girl is not so scary when compared with the Nazgul!) and I sat at lunch with two girls I didn't know, who became good friends. I realized then the power of a good book - and the ability it has to transport the reader to a new world, away from the issues and problems of every day life. Lord of the Rings inspired me to
become a writer, and even to this day when I feel down, my escapism is often found in the pages of a fantasy novel.

From Dawn Metcalf:

I'd consider "starter" fantasy books like BRIDGE TO TERABITHIA by Katherine Paterson, PROTECTOR OF THE SMALL by Tamora Pierce, DRAGONSONG by Anne McCaffery and, of course, HARRY POTTER AND THE SORCERER'S STONE by J.K. Rowling can start a lifelong love of fantasy books!

For old folks like me, I love transportive, quirky and somewhat shadowy fantasy and I'd give THE NIGHT CIRCUS by Erin Morgenstern, THE DAUGHTER OF SMOKE & BONE by Laini Taylor, NEVERWHERE by Neil Gaiman or THE TIME TRAVELER'S WIFE by Audrey Niffenegger.

(And if kids are darker like me, then I'd probably wrap up a copy of HOWL'S MOVING CASTLE by Diana Wynne Jones, ARTEMIS FOWL by Eoin Colfer or our own William Alexander's GOBLIN SECRETS!)

From Pippa Bayliss:

I consider every fantasy novel I've ever read as a gift which isn't very helpful to you for your TOTW :) but what stands out as a particularly special novel to me was Roald Dahl's 'Charlie and the Great Glass Elevator'. It's the sequel to the better known 'Charlie and the Chocolate Factory' and an old dilapidated copy found its way into my hands. My son was a reluctant reader so I started reading it to him out loud at bedtime. He loved it. Even though it was so old and strange, it became one of his favorites., and he'd make me repeat any parts that involved the 'vicious knids' - no silent 'k'. Just the sound of k-nids made him laugh and that alone gave us both a gift that I'll always cherish.

From Will Alexander:

I don't know if this counts, since it isn't a fantasy novel, but my first thought is Lewis Hyde's The Gift: a book-sized essay about the role of art and the artist in society. It's made up of the same raw material as a fantasy novel, given that it's filled with folk and fairy tales, and it's a boon to any artist trying to sort out their own gifts and how best to use them. (Hyde's Trickster Makes This World is also very, very good, but given the focus on trickster figures that one commits gleeful theft rather than offering presents.)


Let me try again with an actual fantasy novel. When I took over reading bedtime stories to my youngest sister, we first picked up The Dark is Rising by Susan Cooper. That was a gift, I suppose. "I loved this, and I think you'll love it, so here. Let me read it to you." It utterly failed as a bedtime story, though. We didn't sleep at all. We just read straight through until dawn, and finished The Dark is Rising while the sun was rising.

From Ellen Booraem:

One marathon weekend in the dregs of high school, THE LORD OF THE RINGS opened a new world for me. And I don’t mean just Tolkien’s world of Middle Earth—I mean the universe of fantasy written for anyone older than ten. My parents weren’t fantasy readers, so up to that point my experiences with speculative fiction consisted of fairy tales, Pooh, and a couple of other books distinctly written for younger crowd. I had no idea that you could give up childish things and still read about dragons and elves. Imagine how the top of my head blew off when I met Bilbo. And Gandalf! In fact, I barely slept that weekend—read the entire trilogy, day and night, stopping only for meals and to exchange a word or two with my long-suffering parents. Thank you, Professor Tolkien.

So tell us, what fantasy story has been a “gift” to you?


Saturday, August 18, 2012

HOLY SHAMELESSNESS, BATMAN!!!

Seriously, we are EXPLODING with shamelessness this week: lists, sales, appearances AND a cover reveal.  But you'll have to wait for that one...

This week, books by two Inkies, GRAVE MERCY by Robin LaFevers and THE FALSE PRINCE by Jennifer Nielsen were named to the 2012 ABC Best Books for Children.

Elizabeth C. Bunce has two books receiving accolades this week.  LIAR'S MOON has been named a 2012 Kansas Notable Book by the State Library of Kansas. This is Elizabeth's third such award - a rare achievement for a Kansas author. In addition, STARCROSSED is one of 25 books for young adults included on Oprah's 2012 Summer Reading List at Oprah.com.

MORE FABULOUS LISTS!!!  Cinda Chima Williams's fall release, The Crimson Crown, was named to Kirkus Reviews' Top Ten Children's and Teen Books for Fall!

I have a small announcement of my own this week, ahem:
Gretchen McNeil's POSSESS, in which a teen exorcist must find a way to stop the wave of demonic possessions sweeping her town, to Sebastian Aloi's La Lune Entertainment and Carly Norris, by Holly Frederick at Curtis Brown.
Hee.

Now, on to appearances!  Lena Coakley will be speaking at two conferences this fall.  From October 19-21she will be attending the SCBWI Fall Retreat in Ottawa, where she will be giving a talk entitled Write the Book That Will Change Your Life about how writers can navigate the fine line between following the market and following their passion.  There she will also be receiving her 2012 Crystal Kite Award for the Americas region.  On November 7th, Lena will be giving an intensive workshop on writing fantasy at the 28th annual CANSCAIP Packaging Your Imagination conference.  She will cover general writing techniques such as plotting and character building, as well as techniques specific to fantasy such as worldbuilding.

Plus Caroline Hooton will be at DragonCon 31st August - 3rd September and I'm doing a number of YA panels, including:

- Whitewashing of YA - A look at minorities and their portrayal in YA;
- Beyond Hunger Games: Dystopias in YA
- Under The Covers - What is an Author's Best Friend?
- My Monster Boyfriend - What is the Special appeal of the supernatural love interest, be it demons, angels, vampires, ghosts or aliens?

Okay, I know you've been waiting.  Ready for the cover reveal?  Here's the much anticipated sequel to Anna Staniszewski's MY VERY UN-FAIRY TALE LIFE, MY EPIC FAIRY TALE FAIL!!!!!




PHEW!  Crazy week, right?  We're so awesome.  :)

Wednesday, April 11, 2012

Enchanted Interview with Rebecca Barnhouse, author of PEACEWEAVER

If it's not already obvious, I'm a big fan of smart, well-researched historical fantasy, and an even bigger fan of retellings--so I jumped at the chance to host the delightful Rebecca Barnhouse in a new interview with the Enchanted Inkpot, for her new novel, Peaceweaver, set in the world of "Beowulf."

 
Sixteen-year-old Hild has always been a favorite of her uncle, king of the Shylfings. So when she protects her cousin the crown prince from a murderous traitor, she expects the king to be grateful. Instead, she is unjustly accused of treachery herself.
As punishment, her uncle sends Hild far away to the heir of the enemy king, Beowulf, to try to weave peace between the two kingdoms. She must leave her home and everyone she loves. On the long and perilous journey, Hild soon discovers that fatigue and rough terrain are the least of her worries. Something is following her and her small band of guards—some kind of foul creature that tales say lurks in the fens. Will Hild have to face the monster? Or does it offer her the perfect chance to escape the destiny she never chose?
  --from the Random House website

Peaceweaver is in bookstores NOW, and here is our conversation with its fascinating author:





Tell us a little about the novel and its origins and about building Hild's wonderfully believable world. What is a "peaceweaver?"

I’m so glad you found it believable. Even though they’re both set in early medieval Scandinavia, and they’re both inspired by Beowulf, I wanted to give Hild’s world a different feel than Rune’s in The Coming of the Dragon. The society of the Danish nobility depicted in the first part of Beowulf—the hall of King Hrothgar and Queen Wealhtheow—was the impetus for the society in which Hild grows up. In Hild’s world, noble women wield power indirectly by influencing the high-status men when they serve them mead in the hall. That’s what Hild hopes to do, although things don’t work out the way she anticipates.

One role women in this society play is that of the peaceweaver (freoðuwebbe in Old English, if anybody wants to know!) who marries into an enemy tribe to help bring about an end to hostilities. Yet as Beowulf himself notes, the blade seldom rests no matter how worthy the bride. In many Anglo-Saxon stories, both the peaceweaver and the family she has tried to create come to grief when the peace she has been sent to weave is ripped apart. Hild knows these stories when she is chosen to be a peaceweaver.

This is your second novel inspired by the epic of Beowulf. Can you explain your process of adapting that material into a novel for modern young readers?

In The Coming of the Dragon, I retold the end of Beowulf, cleaving closely to the poem’s plot for much of my novel. Beowulf plays a much looser role in Peaceweaver. Instead of modeling my plot on it, I borrowed elements from the first section of the poem, as well as from other Anglo-Saxon and Old Norse literature. Although they gave me fun ideas to work with as I wrote, the story is Hild’s. The more familiar you are with Beowulf, the more you will recognize characters or lines or situations from the poem, such as the baby in the boat, which comes from the story of the Danish leader, Scyld Scefing, in the beginning of Beowulf.  But an appreciation of the novel requires no familiarity with the poem, or any other medieval literature, for that matter. 

When I first read Peaceweaver, I wanted to know how old Hild was, and you had a very interesting answer to that question--but I see now that the book does include Hild's age! I'd love to know more about the challenges of depicting historical young people for twenty-first century readers, and how you strike that balance of authenticity and approachability.

People in medieval Europe (not to mention in many modern cultures) would not have paid close attention to their ages. They might not have known how old they were; in fact, it would be more surprising if they did. But it’s a convention of middle grade and YA literature that readers get told exactly how old characters are. For several years, I struggled to balance scholarship with storytelling. It wasn’t until I finally loosened my death grip on my scholarly habits and allowed the needs of the story to win that I actually got published. Even then I feared that academics would come after me with pitchforks for things like having my characters know their ages. They didn’t, of course. On some matters of authenticity, however, I stand firm, especially in terms of not giving medieval characters modern attitudes. But I’ve finally realized that if readers won’t read the book in the first place, the historical accuracy doesn’t matter a whit.

Your first novel, the marvelous Book of the Maidservant, is straightforward historical fiction, but you've since written several books of historical fantasy. Do you find that there is a blurring of the fantastical and the natural in the eras you write about that is different from the way modern peoples view things?

The Book of the Maidservant is set in England and Europe at the very end of the medieval period, the 15th century. Johanna, the maidservant, lives in a world patterned by Roman Catholicism; it’s woven into every aspect of her life. Miracles and visions are an accepted part of that world and things that might seem fantastic to us would not to her. Johanna’s world is much more urban than Rune and Hild’s, the 6th-century Scandinavian characters in The Coming of the Dragon and Peaceweaver. They tend to find magical and/or religious explanations for natural events in their rural landscape (such as misty days or thunder or the success of crops). Although all three of them live in the Middle Ages, Rune and Hild are separated from Johanna by almost a millennium, and their animistic view of nature would be as foreign to her as it is to us.

Can you recommend any resources for young readers inspired by your books to learn more about this period in history?

Judson Roberts has a wonderful website about his research for the Strongbow Saga, which I highly recommend. Readers who want to know about the culture of the hall can find online material about archeological finds in Lejre, Sweden, where a hall that must have resembled King Hrothgar’s—the one Grendel attacks in Beowulf—has been found. One of my favorite sources is Benjamin Bagby’s performance of Beowulf in Old English, as he imagines an Anglo-Saxon scop, or bard, might have performed it. Excerpts are available on YouTube. And I’m a big fan of Kevin Crossley-Holland’s book of The Norse Myths, which I first read when I was in high school.

You have what I consider a fascinating day job in academia. How do you find the interplay between your academic life and the writing life?

I’m lucky because I get paid to think about literature and language and writing. I teach Beowulf and The Book of Margery Kempe (the inspiration for my first novel), so I frequently revisit these works and other medieval literature, which inevitably leads to story ideas. Although it can be difficult to find writing time during the semester, and my creative energy is devoted to teaching, there are definitely payoffs, such as long winter and summer breaks that I can devote to writing. Usually by the time summer rolls around, the ideas are bursting to get out.

Thanks for these great questions, and for having me on the Enchanted Inkpot!

* * *
Elizabeth C. Bunce is the author of A Curse Dark as Gold and the THIEF ERRANT novels, StarCrossed and Liar's Moon. She occasionally misses the chance to put her archaeology degree to work. Visit Elizabeth at www.elizabethcbunce.com