Showing posts with label Pippa Bayliss. Show all posts
Showing posts with label Pippa Bayliss. Show all posts

Monday, December 2, 2013

The Gift of Fantasy


 The fantasy that gave me the greatest gift was Lloyd Alexander’s Prydain series.  I was in first grade, and every few days I’d check out a stack of picture books limited only by the need to get my hands underneath it and my chin on top.  One day the school librarian handed me The Book of Three.

“I think you’d like this,” she said.

“I don’t know,” I said.  (Just like every kid in the universe confronting their first novel.)  “It’s awfully thick.”

“Give it a try.”  And she smiled.

So I opened that thick intimidating book and started to read, and fell into a real, long, dense story for the first time in my life.  I think I lived in Prydain more than I did in the real world for the next few years.  If Mrs. Burris had handed me some other book, a mystery for instance, I might not be a fantasy writer today.  Or even a writer today.  So that’s the fantasy that’s given me the greatest gift.  (And thanks to Mrs. Burris, too!)

                                                                        --Hilari Bell


From Elizabeth Bunce:

For me, it came about ten years ago when I read Sharon Shinn's ARCHANGEL for the first time. I had spent so many years reading To Learn the Craft, to soak up knowledge and study storytelling techniques, that reading had become more work for me than pleasure (although I didn't realize it at the time). I had lost sight of one of the most important things: Reading should be fun. But Archangel swept me away like no book had in years. I picked it up, dove in, and before I knew it, five chapters were past, and I REMEMBERED. Shinn brought back that sense of reading for pure delight that I had lost somewhere along the line. I've said that this is one of the most important lessons I've ever learned as a writer... but it's also the greatest gift: the reconnection to the experience of reading a great book for the pure joy of it. Thank you, ARCHANGEL!

From Erin Cashman:

For me, it was Lord of the Rings. I was having a hard time my freshman year in high school - 3 middle schools all joined together, and I found that my good friends were hanging out with another group of girls -- and one of the girls decided I was not welcome. One night I started reading Lord of the Rings, and instead of worrying or crying (as I had been doing every night) I completely forgot about my troubles and was swept up in the story. I read it straight through -- claiming a stomach ache and missing the next two days of school. For some reason, when I returned to school I didn't care that much anymore (maybe it was simply that a mean girl is not so scary when compared with the Nazgul!) and I sat at lunch with two girls I didn't know, who became good friends. I realized then the power of a good book - and the ability it has to transport the reader to a new world, away from the issues and problems of every day life. Lord of the Rings inspired me to
become a writer, and even to this day when I feel down, my escapism is often found in the pages of a fantasy novel.

From Dawn Metcalf:

I'd consider "starter" fantasy books like BRIDGE TO TERABITHIA by Katherine Paterson, PROTECTOR OF THE SMALL by Tamora Pierce, DRAGONSONG by Anne McCaffery and, of course, HARRY POTTER AND THE SORCERER'S STONE by J.K. Rowling can start a lifelong love of fantasy books!

For old folks like me, I love transportive, quirky and somewhat shadowy fantasy and I'd give THE NIGHT CIRCUS by Erin Morgenstern, THE DAUGHTER OF SMOKE & BONE by Laini Taylor, NEVERWHERE by Neil Gaiman or THE TIME TRAVELER'S WIFE by Audrey Niffenegger.

(And if kids are darker like me, then I'd probably wrap up a copy of HOWL'S MOVING CASTLE by Diana Wynne Jones, ARTEMIS FOWL by Eoin Colfer or our own William Alexander's GOBLIN SECRETS!)

From Pippa Bayliss:

I consider every fantasy novel I've ever read as a gift which isn't very helpful to you for your TOTW :) but what stands out as a particularly special novel to me was Roald Dahl's 'Charlie and the Great Glass Elevator'. It's the sequel to the better known 'Charlie and the Chocolate Factory' and an old dilapidated copy found its way into my hands. My son was a reluctant reader so I started reading it to him out loud at bedtime. He loved it. Even though it was so old and strange, it became one of his favorites., and he'd make me repeat any parts that involved the 'vicious knids' - no silent 'k'. Just the sound of k-nids made him laugh and that alone gave us both a gift that I'll always cherish.

From Will Alexander:

I don't know if this counts, since it isn't a fantasy novel, but my first thought is Lewis Hyde's The Gift: a book-sized essay about the role of art and the artist in society. It's made up of the same raw material as a fantasy novel, given that it's filled with folk and fairy tales, and it's a boon to any artist trying to sort out their own gifts and how best to use them. (Hyde's Trickster Makes This World is also very, very good, but given the focus on trickster figures that one commits gleeful theft rather than offering presents.)


Let me try again with an actual fantasy novel. When I took over reading bedtime stories to my youngest sister, we first picked up The Dark is Rising by Susan Cooper. That was a gift, I suppose. "I loved this, and I think you'll love it, so here. Let me read it to you." It utterly failed as a bedtime story, though. We didn't sleep at all. We just read straight through until dawn, and finished The Dark is Rising while the sun was rising.

From Ellen Booraem:

One marathon weekend in the dregs of high school, THE LORD OF THE RINGS opened a new world for me. And I don’t mean just Tolkien’s world of Middle Earth—I mean the universe of fantasy written for anyone older than ten. My parents weren’t fantasy readers, so up to that point my experiences with speculative fiction consisted of fairy tales, Pooh, and a couple of other books distinctly written for younger crowd. I had no idea that you could give up childish things and still read about dragons and elves. Imagine how the top of my head blew off when I met Bilbo. And Gandalf! In fact, I barely slept that weekend—read the entire trilogy, day and night, stopping only for meals and to exchange a word or two with my long-suffering parents. Thank you, Professor Tolkien.

So tell us, what fantasy story has been a “gift” to you?


Friday, November 16, 2012

The Hobbit Read-Along, Day 5: Chapters 17-19


All week we have been reading J.R.R. Tolkein's The Hobbit together here at the Inkpot. Today is the grand finale, the end of the journey, where we read the final chapters and finish our Hobbit reading adventure.

It's been a marathon week of reading - (and writing for all those involved in NaNoWrMo) - and today we cover how Tolkein ended his classic. Personally, it's made me hugely excited about the first of the three Hobbit movies, Unexpected Journey.  Unfortunately, we have to wait until July 18, 2014, before we see these chapters on the big screen in the third and final Hobbit movie, There and Back Again, but we have the book so we can hungrily anticipate Jackson's magical movie interpretation knowing how it ends.

Briefly, in Chapter 17, The Clouds Burst, Bilbo's plan has backfired. Not only does the appearance of Bard, the Elvenking and Gandolf with the Arkenstone incense Thorin against Bilbo, but it incites him to call for dwarf reinforcements. Thorin has such treasure-lust that he refuses to honor his deal with Bard and chooses to fight instead. With true Tolkein genius, the stakes are raised when the armies of dwarves, elves and men are forced to unite against the Goblins who turn up with their chilling sidekicks: bats, wolves and Wargs. At the beginning of the chapter Bilbo courageously owns up to his part in handing over the Arkenstone, but by the end of the chapter Bilbo is our loveable coward again - hiding under his ring of invisibility as the battle rages, and Bilbo gets knocked out cold. 

Chapter 18, The Return Journey Tolkein as omnipotent narrator has Bilbo rescued, reunited with a repentant and dying Thorin, and tells us how Beon in bear form, along with the eagles, saved the day and routed the goblins so their defeat was absolute (well, almost). And so, Bilbo, Beon and Gandolf head home and our omnipotent narrator saves us a hundred pages or more by summarizing the journey back to Rivendell.

Chapter 19, The Last Stage (can we bear it? The FINAL chapter.) Here Tolkein indulges in Elven songs and an informative rest stop with Elrond before Gandolf and Bilbo move on to retrieve the buried gold from their encounter with those three delightful trolls, Tom, Bert and Bill, and then travel to Hobbiton. Instead of a quick happy-ever-after ending, Bilbo arrives home at Bag-End, Underhill, to find the scrumptiously named Messrs Grubb, Grubb, and Burrowes auctioning off his possessions on behalf of Bilbo's conniving cousins, the Sackville-Bagginses. There's nothing more satisfying than Bilbo arriving home just in time to thwart these sneaky Sackville-Bagginses' plans to move into his most cozy hobbit-hole.

And just when we thought it was over after our narrator tells us all about Bilbo settling back into his content, not-quite-respectable Hobbit life, who turns up again but Gandalf (who is habitually enlightening when it comes to backstory and information) with Balin. They fill us in with an all-is-well follow-up from the lands of the Mountain, and Gandolf gives a profound reminder to Bilbo that much more than luck was at work throughout his adventure.

For Discussion:
When I picked up my old tatty copy of The Hobbit after 20 years (gasp, did I say 20 years?) for this weeks' read-along, I was struck with how much of the story I had forgotten. At 13 yrs-old I had struggled to get into it, but on my third attempt I got beyond the first chapter and couldn't put it down. I fell in love with the story, and The Hobbit is still one of my all-time favorite novels. It was great to read it again, and yet, my honest opinion is that Tolkein's writing would never be acceptable to an editor today. What do you think?

What impact did your first reading of The Hobbit have on you? 

And how did you like Tolkein's ending?

I hope you enjoyed re-reading The Hobbit and spending time with us here at The Enchanted Inkpot as we've discussed it. Can't wait to hear from you - and come back and let us know what you think of the movie. I'm a huge fan of Martin Freeman so consider him a rather dishy Bilbo Baggins ... but that's a whole new topic entirely!

Pippa Bayliss (the short and non-hairy-footed honorary Hobbit. Second breakfasts rock.)

Friday, October 12, 2012

Get Ready for the Hobbit Group Read!

I'm going to take a wild guess and suppose that most of you have heard about a certain movie coming out this winter.

You know...

This one?


But since you are visiting us here at the Enchanted Inkpot I am also going to guess that you know something else came first.

Cover of the Hobbit, by J R R Tolkien, featuring a watercolor image of trees and a river with barrels floating down it

So, to celebrate the upcoming release of The Hobbit (Part I), we're planning a week-long Group Read of the original novel by J. R. R. Tolkien! And we want you to join us! Share your love of favorite scenes, burning questions, critical comments, or fangirl/fanboy joy.

On Monday, November 12th, Erin Cashman will start us off with a summary and discussion of chapters 1-4: An Unexpected Party, Roast Mutton, A Short Rest, and Over Hill And Under Hill.

On Tuesday, November 13th, Ellen Booraem will cover chapters 5-8: Riddles in the Dark, Out of the Frying Pan into the Fire, Queer Lodgings and Flies and Spiders

On Wednesday November 14th, Anne Nesbet will cover chapters 9-12: Barrels Out of Bond, A Warm Welcome, On the Doorstep, and Inside Information

On Thursday November 15th, Tricia Hoover will cover chapters 13-16: Not At Home, Fire and Water, The Gathering of the Clouds and A Thief in the Night

And finally, on Friday November 16th, Pippa Bayliss will bring the discussion to a close, covering chapters 17-19: The Clouds Burst, The Return Journey, and The Last Stage

So go dig out your copies now and start reading, so you can join us to discuss one of the great classics of fantasy: The Hobbit!

***
Deva Fagan is the author of Fortune’s Folly, The Magical Misadventures of Prunella Bogthistle and Circus Galacticus. She lives in Maine with her husband and her dog. When she’s not writing she spends her time reading, doing geometry, and drinking copious amounts of tea. Visit her at www.devafagan.com

Sunday, April 1, 2012

Faux Fantasy! (For all our April Fools)

Ah, April. Such a wonderful month, time for spring flowers...and tricks, pranks, and jokes of all kinds. In honor of April Fool's day, I urged the intrepid authors of The Enchanted Inkpot to tickle our funny bones. And I have to tell you, they're a pretty funny bunch. I'm still smiling. :)

Check out these (faux, tongue-firmly-in-cheek) fantasy books, coming soon to a bookstore near you!! Or maybe not. Perhaps they'll appear in another realm entirely, one full of magical, lightning-fast printing presses and wizardly editorial types with ink-stained fingertips. Whatever. I'm sure these are all destined to become instant classics.

"A story about a girl wizard who infiltrates a school for vampires, only to find out that only one student gets to graduate alive. It's a combination of Harry Potter, Twilight, and the Hunger Games! Plus, if there is any new huge success between now and this book's publication, I'll figure out a way to work that in too."
Leah Cypess

“Plucky youngsters create small golems out of belly button lint. They wear fuzzy sweaters all the time to generate enough lint, and develop powers of static electricity as a result. But their powers are tested when an army of bullying booger-golems attacks the school. Buffy meets Captain Underpants!”
William Alexander

"CSI meets Pretty Little Liars meets Disney when Snow White, Sleeping Beauty, Ariel and Cinderella go on a girls’ weekend and one of them is murdered. Luckily, our protagonist, a mind reading detective is also staying at the resort, and she must solve the crime, before she's next!"
Erin Cashman


"Mary Sue discovers she is the Chosen One and must attend the Chosen One Academy with five thousand other Chosen Ones. When she and she alone discovers that all the Chosen Ones must battle to the death to really become the actual super-chosen Chosen One, she meets her one true love and together they embark on a fascinating journey of the heart."
Nancy Holder

“A troupe of princesses are on their way to a ball when a portal opens beneath the carriages and drags the hapless damsels into a post-apocalyptic world where their Prince Charmings never had their Happy Endings and all the kingdoms fell under a corporate merger. Now the princesses have been sorted into districts run by KingdomCorp and find themselves the unlucky contestants in a beauty pageant to the death; the winner will have massive merchandising rights on all the products in the pink-colored toy aisles and the chance to choose her own Prince Charming on the reality TV show, 'Princess Bridal.' Who will win the ultimate challenge or will the princesses overthrow KingdomCorp to change their pasts and their world's future?”
Dawn Metcalf

“Sam Alex Price has always felt out of place in her high school, where everyone is conventionally attractive and mostly just downloads songs you hear all the time on the radio anyway. Sam Alex, on the other hand, has to suffer from an acutely cool musical sense (punk rock + Flamenco), while her radiant emerald eyes, fiery hair, and gorgeous birthmarks in the shape of Celtic dragon-rune tattoos for some reason make her the last girl anyone would ever take to the prom. And why does her nervous mother always insist on keeping a juniper branch (sprinkled with Holy Water) above the front door? All is explained when the most gorgeous dark-eyed dude shows up in pre-calc: Blade is a demon-angel-vampire hybrid, who just needs to assassinate Sam to get the equivalent, in demon-angel-vampire circles, of his GED. Sam's secret identity as a Nephilim-Seelie-warriorgirl-with-slight-phoenix-tendencies is betrayed when a swarm of demons kidnaps Sam's mother (see?! She was RIGHT to be nervous!), leaving a portal open to the magic library where Sam's mother's all-revealing diary has been mis-shelved all these years. Fortunately, Sam, due to her Flamenco training, turns out to have serious battle skills and to be very good with a dagger. Blade is impressed. The assassination is delayed. Kissing is involved.”
Anne Nesbet

"An orphanage, overcrowded with kids destined by prophecy to perform heroic deeds, becomes the headquarters of a fierce resistance. The orphan's mission - to rid the world of fantasy novels that kill off parents and bind kids to futures full of scary things and near-death experiences. Will their dastardly plot to kill of all fantasy writers succeed, or are they doomed to fail, to live out their own preordained destinies? And just how do they plan to squelch all that uncomfortable inner angst and romance brewing under the surface? One orphan holds the key, but that orphan, Goober Tickletrunk, lowliest of them all and guardian of the keyring, won't reveal its location!"
Pippa Bayliss

"Kafka meets Celebrity Apprentice when young Sam's mother breaks it to him that his father was a cockroach. Threatened by nuclear extinction, humanity must learn survival skills from the roaches. Sam undertakes a perilous journey through the silverware drawer to find Trump, a wise old cockroach who runs a school for half-roaches and holds the key to his species' longevity. Hair gel becomes a factor. And antennae. Also (apologies to Anne) kissing."
Ellen Booraem
Too funny!! Thanks, everyone!

If you have a faux fantasy pitch, please feel free to share it in the comments section. :-)

Lena Goldfinch is the author of The Language of Souls, a short-but-sweet tale that will "appeal to teens who enjoy fantasy with a side of sigh-worthy romance". She lives in New England with her husband (born on April Fool's Day--happy birthday, hon!!), two teens, and a very spoiled black lab. You can visit her online at www.lenagoldfinch.com.

Sunday, February 5, 2012

To Trope or Not To Trope: That is the Question


Readers come to the fantasy shelves looking for a specific kind of reading experience. They want to enter other worlds, or they want to enter worlds like this one and yet different, strange, magical. Maybe without realizing, they long for a specific set of tropes: characters, worlds, situations, or magic that resemble those in other fantasy stories they’ve read and loved.

But who wants to read the same story, with a few names changed, over and over? No one.

Writers sometimes have to perform a tricky balancing act. They have to serve up a story that can provide the pleasure readers are anticipating, while also offering something new, something surprising and unique.

To find some answers on ways writers might do this, I asked other Inkies to chime in.
Pippa Bayliss:
Using tropes is related as much to our individual style as our premise and characters are, so it's not easily buttonholed. In my experience my use of them developed as part of my world building.

Tamora Pierce's Beka Cooper series comes to mind as a brilliant example of using language and all forms of literary trope to enhance and create a unique world.

In my own writing, my MC uses unusual turns of phrase because that's who she is (and she's powered by my particularly unusual imagination). I try to keep her metaphors, idioms and comparisons appropriate to her age and life experience - and possibly more importantly, her nationality.

I love the rhythm of words and coming up with original ways of capturing and communicating the emotion evoked by my MC's situation, so those are my 'trope creating' moments. Sometimes they're right there and other times I lose sleep coming up with the best way to avoid cliche. Synonyms are my absolute favorite way of brainstorming - and I confess I'm partial to alliteration (in moderation ... at least, I TRY to keep it to a minimum).
Hilari Bell: 
I think we all use tropes, almost unthinkingly. Unless you're going for some very unusual setting, it's hard to avoid them. However, there's almost nothing that works better than turning a trope on its head, and doing the reverse of what's expected. On the other hand, even reversing tropes is becoming something of a trope itself. I think a writer's only real hope is to tell a story you love the way you want to tell it, and let the chips fall where they may.
Kate Coombs:
In THE RUNAWAY PRINCESS and THE RUNAWAY DRAGON, I deliberately take tropes and give them a little twist to create humor. For example, the princess is supposed to be languishing in a tower while princes vie for her hand in marriage, but she gets her friends to sneak her out, leaving the royal guards vigilantly watching over an empty tower. And the wicked witch in the woods wants to be left in peace to read romance novels, but when princes keep coming around bothering her, she rolls her eyes and rather reluctantly turns them into frogs so they'll leave her alone. I've had fun reinventing tropes!

Another way to keep tropes from making your work predictable is by creating rich characters--then even when you use tropes, the focus is on these characters who feel so real that readers love and cheer for them despite their flaws. Surprises are great, but they need to work with the logic of the storytelling and of characters' personalities. Besides, even if readers CAN predict, say, the ending of a book (um, the hero/heroine triumphs?), the road to get there can twist and turn in wonderful ways.


Some great answers here. For
myself, I too like twists. In ALIA WAKING, Alia wants very much to become a warrior, but she starts to question her goals when she sees the reality that exists along with the warriors’ ideals. Margot, in WATER SHAPER, begins as the classic romantic heroine, but her wants and needs as in individual complicate the romance she stumbles into. In my current WIPs, I find myself twisting tropes in a variety of ways, but mostly in regard to perspective. For example, is that guy really a bad boy with a heart of gold, or is he just a bad boy? And what do either of those things mean, anyway?

I did want to mention some great resources for those interested in thinking on tropes and how one might, or might not, want to use them. Try THE TOUGH GUIDE TO FANTASYLAND by
Diana Wynne Jones and the many resources linked in “Beyond Orcs and Elvs,” an Omnivoracious interview with Stacy Whitman on writing cross-culturally.

Now, to get to some discussion. What about you? What tropes do you play with, and how do you play with them? Why do you play with them in the way you do?





Post author bio: Laura Williams McCaffrey is a full time writer and writing teacher. Her third young-adult speculative fiction novel is forthcoming from Clarion Books. She’s the author of two other young-adult speculative fiction novels: Water Shaper, selected for the 2007 New York Public Library Books for the Teen Age list; and Alia Waking, named an International Reading Association Notable Book. Alia Waking was also a nominee for the annual Teens’ Top Ten Books list and for Vermont’s Dorothy Canfield Fisher Award. Laura is a faculty member at Solstice, a low-residency MFA in Creative Writing Program at Pine Manor College, and she teaches writing and literature at Pacem Learning Community, a learning center for homeschoolers. You can visit her website at: http://www.laurawilliamsmccaffrey.com/.