Mallory Reaves is the young writer of (among
many things) the new young adult fantasy novels based in a world conceived of
by her father, Michael Reaves, himself a novelist and famed animation writer,
and author Neil Gaiman. Mallory comes from a writing family; at one time her
mother, Brynne Chandler Reaves, was the highest paid female animation writer in
Hollywood, and her father was the highest paid male animation writer. Today she
talks with the Inkpot about her new collaborative novel with her father and
Neil Gaiman.
NH: Can you briefly tell us
the story of THE SILVER DREAM?
MR: THE SILVER DREAM
continues Joey Harker's adventures from INTERWORLD. He's a little older, a little
wiser, and immediately winds up in a lot more trouble. It's not just
fate-of-the-world stuff now, it's fate of all worlds—and on top of that,
there's a new character and a new faction introduced, though Joey really isn't
sure if they're on his side or not.
NH: Can you tell us about
the story behind the creation of INTERWORLD and its sequel, THE SILVER DREAM?
MR: I know my father and
Neil first started talking about it in the 90's, and they were hoping to do it
as a T.V. series. They shopped it around a bit, and I remember them being very
excited about it, but it wasn't the kind of concept that was easily explained.
They decided to do it as a book, instead.
The book came out, it did
well, and some people started asking about a sequel. I know Neil mentioned his
son was hoping for one, but Dad and Neil were both very busy, and couldn't get
to it for a while. Finally, since I had been present for the evolution of
INTERWORLD and was a writer in my own right, Dad asked me to help him get THE
SILVER DREAM down on paper. He sent me the emails he'd been exchanging with
Neil, and the outline they'd both put together, and I wrote the book from
that—along with a few of my own additions.
NH: How did your
collaboration work? What excited you most about working with Michael and Neil
Gaiman? What surprised you?
MR: When I was brought on
to do THE SILVER DREAM, it had mostly been outlined. In some places I stuck to
what Dad and Neil had laid out, in others, I veered off into something else
entirely, and they were always happy to run with my ideas. I would write a
certain amount, then send it to my father, who would add things here and there,
write more, then send it back. Once we had a full first draft, we sent it to
Neil, who was very happy with it. He suggested a few changes, we implemented
them, and we had a book!
They're
both such great writers with such a great sense of story, which made things
very easy. When talking about THE SILVER DREAM and outlining the third book, we
would occasionally stop and say “Wait, when did we decide this should happen?”
and the rest of us would go “I don't recall, but hasn't it always been that
way?” It would turn out we were all on the same page about major plot twists,
even though we hadn't ever said it out loud.
Working
with Neil was sort of like “Who was that masked man!?” He would vanish into
other projects for weeks on end, then send a long email full of encouragement
and a few helpful suggestions before flapping off into the night. I've always
also considered my father to be Batman, so while I'm really not cowed by
celebrities, it was a little like working with superheroes.
NH: What is your writing
process like?
ME: Um. “Oh God, who's
driving this thing!?” No, really. I often surprise myself when writing, but it
all tends to fall together rather neatly. I'm blessed with the ability to keep
track of a lot in my head, so I don't generally have to outline on paper. I
keep tabs on where all the characters, widgets, and conflicts are and how
they're progressing, and some buried subconscious part of my brain will
suddenly pop up and go AH-HA! THAT'S why that was there!
It's a
little disconcerting, really. As far as the process itself, well, I just sit
down and do it. It's the only way I'm going to get it done. I try to get at
least 1k words a day. And four or five levels on Candy Crush Saga.
NH: What else have you
worked on, and what are you plans for the future?
MR: I spent four years
working for a publishing company that mainly did Japanese comics. My co-worker
would translate them, as directly as possible, and I would adapt them. I made
sure the character's personalities and dialogue came through, as well as
setting the tone in the narration. It was a lot of fun! I did over thirty
titles, and one of my series was nominated for an Eisner Award. After that, I
did a lot of freelance writing, including game development for a web-based MMO
game. I had just finished doing that when my father approached me about THE
SILVER DREAM.
As far as
the future goes, I had always known I would be a novelist, so I'm throwing
myself into that. I've written another book that's had some interest, though
it's on hold in favor of the next INTERWORLD book. After that, I plan to keep
writing and hope people will keep reading!
NH: Will there be more
INTERWORLD novels?
MR: There will be at least one more after THE
SILVER DREAM, definitely. Neil and I have talked some about ideas for what
would happen after this next book, but it has always been in an “if” capacity.
Nothing is solid.
My goodness, what would it be like to be mentored by such big name authors? That's pretty intense. This sound like a wonderful story, and I might have to put my 12 yr old on it. ;)
ReplyDeleteA unique and interesting process! Thanks for giving us a peek into the partnership on this one. Always neat to see how people collaborate.
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